We interrupt our wall to wall Lisbon related programming for a moment for very good reason because it seems that Emma Fletcher, designer of the much missed Lyell, which sadly closed its doors last year is now the designer of Tocca. And look at the fall/winter collection! I'd recognise that handwriting anywhere...
Now all I need to do is work out how to get my hands on it, especially that coat.
I had wanted to go to Lisbon for a long time, because it was the one place in Europe that had always remained a mystery to me. Even if I knew a few things about it: it has trams, it's hilly, it's near the sea, there are pasteis de Belem, bacalao, I never had even a slightly clear picture of what the city might be like. I made a decision a couple of years ago not to research it, not to find out anything further about it but just to go there and see it without any preconceptions, because it's not often you can do that anymore.
In the end I went with friends, one of whom had been more than once before so knew the lay of the land, and Joanna of La Mignonette very kindly shared some of her bonnes addresses with me before I left. (Thank you Joanna!) Apart from that, I was flying blind and the plan worked - Lisbon unfolded in front of me without any of those pesky "oh that must be so and so" or "we must go to the..." thoughts to get in the way.
I arrived in the evening, met my friends at our super modern hotel who had arrived the night before and we went out almost straight away. In the street I saw an old sign and was all OMG look at that amazing vintage sign (well not really, I didn't say OMG but you get the idea.) In daylight the next day I would see that ALL the signs in Lisbon are vintage - in fact you can't even call them vintage - they're just signs. For a typography nerd it's a dream city - untouched signage from the past intact and functioning as it was intended. I didn't take a lot of pictures because they were everywhere, but here's a few:
I mean... On that first night I also stood in front of a beautiful but abandoned building that was all but falling down and tried to comprehend how a building of such architectural merit could have fallen into a state like that. It had an "Aviso" sign on it that seemed to say the city council or whoever was aware of it and there was a consultation about it. It had such an impression on me, I couldn't stop thinking about it. Then over the coming days, we saw many such buildings right in the city centre - a stark and very visible reminder of Portugal's economic woes, that along with the amount of people sleeping rough was sobering. The city was, in the most enjoyable sense like stepping back in time, but then I would start asking myself why things were a certain way, like why aren't there any flowers or plants - is it because it's too hot or because they're a frivolous expense, the first thing to go in times of austerity? (You can see how one can make assumptions when one hasn't done any research.) I found everyone to be extremely polite and civil - no attitude whatsoever from young or old - but very reserved which made me all the more intrigued. I would have loved to sit down with an old man - they stood out to me the most in their uniform of flat caps, open necked shirts and trousers - and found out so much more about the people, how they felt and how things really were beneath the surface.
Although, coming from London the prices of everything seemed ridiculously cheap: €1 for a beer, €15 a head for dinner in a nice restaurant with wine, we didn't do much shopping, we just lived easily and were able to freely do whatever or go where we wanted without worrying about the cost. (I also felt a bit guilty about this and would have liked to have asked my flat capped senior citizen imaginary friend for moral advice.)
But of course we went to A Vida Portuguesa (more than once!) which sells the best in beautifully packaged and designed artisanal Portuguese products. I bought a two metre long stripy rug, after thinking I'd been quoted the wrong price it ended up being not €8, but (as I was preparing to pay more) €7. What! Of course the Creme Benamor has the best packaging of anything on earth but I didn't think I'd use it, so I took the similar Alantoine hand cream in the green packaging.
More to come and with proper photos, once I get them developed...
I realise that by posting these pictures I'm at risk of finding myself on the PR mailing lists of The Sheep Herders' Association, Young Farmers and Cattle News (I already get sent anything and everything to do with horse racing, because I once mentioned a Shetland pony. For clarity's sake: I do not need to be kept up to date with all the sheep/farming news - though I wouldn't say no to a complimentary National Trust membership.)
Getting out into the countryside has been the best thing about this summer - inclement weather becomes interesting rather than bad, walking with friends, their kids, dogs, going to visit people's puppies - I know, not the usual LIB content but very much needed.
I tried to muster some enthusiasm for the usual subjects (see shoe post below) but in truth I only have pictures like this to show you at the moment. These only give a partial representation - I put these photos in to be developed in Lewisham last Monday afternoon. They were ready to collect an hour later but good old laziness got the better of me and (thankfully) I didn't go back. Everything is still strange - not just in central Lewisham but everywhere around here: shops boarded up, glaziers working overtime, everything very, very quiet apart from the occasional sirens. I never thought I'd be glad to hear a police siren. I'm always full of enthusiasm for the hood, but how to come to terms with living right in the middle of what last week very quickly turned into three riot/looting zones.
Every time I think I've surpassed the grip of trends and am no longer susceptible, something happens such as I realise that choosing Belgian Shoes is even more fun than choosing paint colours or ice cream flavour combinations.
I've spent much of my spare time this summer ambling through fields with others' dogs, photographing the novelty of sheep and cattle, always looking to the horizon. Sweetpeas and runner beans picked from the garden, sharing meals outside, cups of tea, gin & tonic at dusk, a spare bed, being with people I've known my whole life, or from the age of one, or five.